© XGlite™® XGlite

© XGlite™® XGlite XG Virtual's Studio's Technology's Instrument's Advanced's Music's Production's System's Media’s Audio’s Visual’s TV’s Station’s Radio’s FM’s Web’s Online’s Show’s On's Air's Live’s Stream's Broadcast's Digital's Studio’s Recording’s Music’s Production’s Video’s Game’s Play’s Android’s Computer's Compaq's Cloud’s Computing’s Scream's Disc’s Jockey’s DJ’s Pirate’s In's The's World's In's The Kingdom Of Morocco In's Oujda. £₱€¢$¥¤₩₹₪... ۞ © XGlite™® | £₱€¢$¥¤₩₹₪… ۞ XGlite High-Quality Music To Access Your Audio Visual Production Music, Our Goal Is To Provide Musical Illustration Of The Highest Possible Quality To All Audio Visual Content Producers, In All Styles And All Musical Genres, For Any Type Of Project. The Production Quality Of All Of Its Music Are Exceptional Authentic Instruments Where You Need It, Solo Recordings And a Complete Orchestra, Including The Royal Orchestra, The Famous Sound Technician Such As The Famous Studios Built In Our Catalog About A Solid Core Of XGlite Music Composers, We Provide Music All Of Our Music Is Authorized For Use In The World, In All Media, For An Indefinite Period Enjoy Unlimited Access To Our Site Through A Sole Production Unit Configure The Original To Adapt From The Current Titles, Rich And International, Include Our Customer List £₱€¢$¥¤₩₹₪ And More. Contact Us Today To Learn More... XGLITE WORK WITH US We know that finding the right track can be challenging, so our priority is to deliver tailor-made technology and services to help, across all of your projects. By providing a super-powerful set of search tools, our platform is here to help you find exactly what you’re looking for, in just a few clicks. We also have a wide range of workflow enhancements, including the AI-powered suggested search, various types of metadata, file formats and easy offline solutions to help simplify your editing and reporting process. Store your selected tracks and shortlists and share with anyone, anywhere. If you’re already working with us, it’s simple. Create new projects and come back to edit or download your tracks at a later date. Unlike other platforms, there’s no expiry date. Licensing – clear and simple and for multiple platforms. Yes, that’s right. Anywhere and forever. Whatever device you’re using, our multi-platform approach means we’re here, wherever you are, whenever you need us. Incredible music means the highest production values. We record at the world’s most prestigious studios, including 150+ annual sessions at Abbey Road Studios. Our music is written and performed by the best musicians in the world and recorded with renowned producers. We offer consultancy services, because our sales team live and breathe music, and we can offer bespoke creative solutions to help you find that perfect track. We’re with you all the way. Whether you want to pull us into your edit suite and talk us through your latest music strategy, or email us a brief, we understand just how central music is to achieve your production vision. Themes, brands and storylines are expertly researched and regularly curated into playlists, making those perfect tracks easy to discover whenever you need them. Our team of researchers and consultants are ALWAYS on hand to harness the unique response you’re looking for each and every time. © XGlite™® مدح النبي محمد ﷺ FX2R WORK WITH US We know that finding the right track can be challenging, so our priority is to deliver tailor-made technology and services to help, across all of your projects. By providing a super-powerful set of search tools, our platform is here to help you find exactly what you’re looking for, in just a few clicks. We also have a wide range of workflow enhancements, including the AI-powered suggested search, various types of metadata, file formats and easy offline solutions to help simplify your editing and reporting process. Store your selected tracks and shortlists and share with anyone, anywhere. If you’re already working with us, it’s simple. Create new projects and come back to edit or download your tracks at a later date. Unlike other platforms, there’s no expiry date. Licensing – clear and simple and for multiple platforms. Yes, that’s right. Anywhere and forever. Whatever device you’re using, our multi-platform approach means we’re here, wherever you are, whenever you need us. Incredible music means the highest production values. We record at the world’s most prestigious studios, including 150+ annual sessions at Abbey Road Studios. Our music is written and performed by the best musicians in the world and recorded with renowned producers. We offer consultancy services, because our sales team live and breathe music, and we can offer bespoke creative solutions to help you find that perfect track. We’re with you all the way. Whether you want to pull us into your edit suite and talk us through your latest music strategy, or email us a brief, we understand just how central music is to achieve your production vision. Themes, brands and storylines are expertly researched and regularly curated into playlists, making those perfect tracks easy to discover whenever you need them. Our team of researchers and consultants are ALWAYS on hand to harness the unique response you’re looking for each and every time. Digital radio is the use of digital technology to transmit or receive across the radio spectrum. Digital transmission by radio waves includes digital broadcasting, and especially digital audio radio services. This should not be confused with Internet radio which also is digital but not transmitted by radio waves in the radio spectrum. Broadcast standards Digital audio radio service standards may provide terrestrial or satellite radio service. Digital radio broadcasting systems are typically designed for handheld mobile devices, like mobile-TV systems and unlike other digital TV systems which typically require a fixed directional antenna. Some digital radio systems provide in-band on-channel (IBOC) solutions that may coexist with or simulcast with analog AM or FM transmissions, while others are designed for designated radio frequency bands. The latter allows one wideband radio signal to carry a multiplex of several radio-channels of various bitrates as well as data services and other forms of media. Some digital broadcasting systems allow single-frequency network (SFN), where all terrestrial transmitters in a region sending the same multiplex of radio programs may use the same frequency channel without self-interference problems, further improving the system spectral efficiency. While digital broadcasting offers many potential benefits, its introduction has been hindered by a lack of global agreement on standards and many disadvantages. The DAB Eureka 147 standard for digital radio is coordinated by the World DMB Forum. This standard of digital radio technology was defined in the late 1980s, and is now being introduced in some European countries. Commercial DAB receivers began to be sold in 1998 and, by 2006, 500 million people were in the coverage area of DAB broadcasts, although by this time sales had only taken off in the UK and Denmark. In 2006 there are approximately 1,000 DAB stations in operation. There have been criticisms of the Eureka 147 standard and so a new 'DAB+' standard has been introduced. The DRM standard has been used for several years to broadcast digitally on frequencies below 30 MHz (shortwave, mediumwave and longwave). Also there is now the extended standard DRM+, which is designed for VHF bands. Tests of DRM+ has been made in countries such as in Brazil, Germany, France, India, Sri Lanka, the UK, Slovakia, Italy (incl. the Vatican), as well as Sweden. The two pan-European associations for community radio Community Media Forum Europe (CMFE) and AMARC Europe have stated to the European Commission that FM radio should be retained for local radio. In case of a future digital transition DRM+ would be the choice. To date the following standards have been defined for one-way digital radio: Two-way digital radio standards The key breakthrough or key feature in digital radio transmission systems is that they allow lower transmission power, they can provide robustness to noise and cross-talk and other forms of interference, and thus allow the same radio frequency to be reused at shorter distance. Consequently, the spectral efficiency (the number of phonecalls per MHz and base station, or the number of bit/s per Hz and transmitter, etc.) may be sufficiently increased. Digital radio transmission can also carry any kind of information whatsoever — just as long at it has been expressed digitally. Earlier radio communication systems had to be made expressly for a given form of communications: telephone, telegraph, or television, for example. All kinds of digital communications can be multiplexed or encrypted at will. Wikipedia is a free online encyclopedia that anyone can edit, and millions already have. Wikipedia's purpose is to benefit readers by presenting information on all branches of knowledge. Hosted by the Wikimedia Foundation, Wikipedia consists of freely editable content, with articles that usually contain numerous links guiding readers to more information. Written collaboratively by volunteers known as Wikipedians, Wikipedia articles can be edited by anyone with Internet access, except in limited cases in which editing is restricted to prevent disruption or vandalism. Since its creation on January 15, 2001, it has grown into the world's largest reference website, attracting over a billion visitors each month. Wikipedia currently has more than sixty-five million articles in more than 300 languages, including 7,008,594 articles in English, with 113,729 active contributors in the past month. Wikipedia's fundamental princples are summarized in its five pillars. While the Wikipedia community has developed many policies and guidelines, new editors do not need to be familiar with them before they start contributing. Anyone can edit Wikipedia's text, data, references, and images. The quality of content is more important than the expertise of who contributes it. Wikipedia's content must conform with its policies, including being verifiable by published reliable sources. Contributions based on personal opinions, beliefs, or personal experiences, unreviewed research, libellous material, and copyright violations are not allowed, and will not remain. Wikipedia's software makes it easy to reverse errors, and experienced editors watch and patrol bad edits. Wikipedia differs from printed references in important ways. Anyone can instantly improve it, add quality information, remove misinformation, and fix errors and vandalism. Since Wikipedia is continually updated, encyclopedic articles on major news events appear within minutes. For over 24 years, editors have volunteered their time and talents to create history's most comprehensive encyclopedia while providing references and other resources to researchers worldwide (see Researching with Wikipedia). In summary, Wikipedia has tested the wisdom of the crowd since 2001 and has found that it succeeds.

XGlite 2020/7 XGlite Album

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قيمة

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آه يا في النهار راني مزيان

آه يطيح الليل يتلف لي البلان

آه ومع هاد البنات ما راني بخير

آه يخلوني هكذا مجلوق

ما نشري صابون ما نغسل بيه

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أي ألي يدير التيقة في بنات اليوم يستأهل الموت

اعطيناهم قيمة ما يستاهلوش وحنا لي درنا لافوت

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آه أيا كانت درويشة تتمشى معايا نيشان

واليوم تسيفت ولات شاروجخان جاكيشان

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آه قلت ليك اضرب واهرب وأنت ما تسمعنيش

آه يا دير كيفي وكون صياد وبها تمنع

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اه يا كنت نقول يتيما وجامي نغبنها

آه يا الي ديبة غير ديبة وجامي تتربى

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آه إياك عشقت الفاني خليها تشبع وتروح

آه يا شحال بنات بحالها رآهم في الشوارع مرميين

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اه يا مازال تدور الايام وتجيك ندمانة

آه يا الي دار توا فيا يبقى في القلب وجامي يتنسالي أنا

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نتمنى

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أنا مازال باقي نبغيك

وانت العمر ونموت عليك

وهاد الصيف باغي نديك

ونتمنى تكوني ليا

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نخمم فيك توجور مازال

باش ننساك عمري موحال

راني باغيك بالحلال

ديري النية وتيقي بيا

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واليديك ما قبلونيش

شافوني مسكين وما عنديش

والعديان ما قالونيش

كي بغيتوني آنا ننسى

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حتى من قلبي بكيت عليك

كي سمعت كلام واليديك

لو كان يعرفوا شحال نبغيك

يا ما كاع تغويهم الدنيا

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درويش

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لو كان أعطاني ربي ندير معا ك أنا المارياج

ما نخليك تنغبني ويديك أنا غيري البورجواز

مين أنا مسكين ودرويش وما عنديش

وهاداك هوا زهري الالا كيفاش أنعيش

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ليلة عرسك أنا وليت كيف المهب ول

كاع الليل وأنا صابر وما لقيت كيفاش نقول

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أنت يا لاباس عليك يحسن عوني يا أنا مسكين

و اباك انت عمري بغا الملايين

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هادا حال المسكين لي عشق وغواه الزين

وإلا حكمت اليوم غدوا يخلص الدين

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انت يا غاديا تفوتي شهر العسل مع غيري

وانا جالس في البار نشرب على زهري

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زهري

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أنتي أنتي لي سباب عذابي

أنتي أنتي لي ديتي قلبي

أنتي أنتي لي هبلت يني

أنتي أنتي لي سباب هوسي

أنتي أنتي لي حرمتي نعاسي

أنتي أنتي لي حمق تيني

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زاد عذابي وطال غيابك

ما لكي هكذا نسيت حبيبك

خلي تيني نعيش كيف المهب ول

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هادا زهري

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 جامي ننساك عمري ديما في بالي

توجور في خيالي وقتاش نلقاك

مازال راني نبغيك مازال باغي نديك

وغير انتي لي نعيش معاك

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حياتي كلها ليك محال نعيش بلا بيك

حالف ما نسمح أنا فيك

طول ما انا وأنتي حيين يديا ليك مفتوحين

يا نور نور نور العين

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بدموع عيوني أنا نسقيك بكل عمري أنا نفديك

وبحناني أنا ندفيك

نعيشوا جميع في هاد الحياة ما يفرقنا غير الممات

ونعوضوا كاع ألي فات

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الخيمار

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من انهار شافتها عيني

خبرني انا قلبي

بلي هيا تبغيني

وهيا دوايا وطبيبي

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يا مولات الخيمار الحيجاب

راكي اديتي يانا عقلي

يا ركبوني هموم كبار

يهديك الله شوفي حالي

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الحاجب والعين والشفار

الحطة والهمة والزين

مكواني لا شربت الخمار

وعندها لاتاي فين

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باينا اعليها بنت الدار

خاطيها الفيس والخلاط

قلبها ماشي غدار

اداتلي عقلي وبفيت بلاش ومشات

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امني

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وديري كما تحسي روحك اليز

امني فيا ما نيش ظالم

نبغيك فور نبغيك يا بنت الناس

ولا رحتي سور غادي نهبل

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بيني وبينك اون بال استوار دامور

اويلا نسيتي انتي يا انا ما ننساش

ماشي غي انهار اعمري وماشي شهور

هادي اعوام اطويلا والخصام اعلاش

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ولو كان تعقلي لي سوفونير او لي فاكونس

تغيضني عمري ايجيني كي لهبال كي نتفكر

يا كنا غايا وكان بيناتنا كونفيونس

واليوم وليت العمر غي وحدي نهدر

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شوفي لعمرك الهدرة تخلي الخيام

ها ايعمروا لك راسك يضحكوا علينا في زوج

كاين غي انت في قلبي ازرقة البيضة جو تام

قلبهم امعمر غي بالسم  اكلامهم مرهوج

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 (حضـورك غيـر)

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حضورك غير له نكهت شـراب يبهــج الخاطر
اشوفك فيه كل اوقات تأخـذني لأحـساسك
انا وقلبـي بضمك لين صدرك يشفـي الناطر
والمك زود فــوق الصــدر تسعدني بأنفاسك  
وجــودك حيل به فرحـة عيـــون تبـهـر الناظر
لعلمك شوف معنا حـب يجبـرني لنسناسك
جذورك حيل من عمقه عذاب يخلف الشاطر
بطبعـك زين حـلـو احـلام تجـذبـنـي بألباسك
دروبك ذوق من عشتـه مـرار تحـكـم الحـاظر
وحسنك زي كالمعـتاد يسحبـنـي بمقياسك
اقـول لك كيـف يانـشـوة حـياة تشبه المـاطر
نزولك شي مثل الغيـث يغرقـني بمجـلاسك

 

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خذني غلا

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خذني غلا يا أصدق غلا بالوقت الأول والأخير  
 ..... أبغاك تدرس حالتي أول وأنا أدرس حالتك
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حنا نفس واحد .. وروح .. وقلب .. وعيون .. وضمير  
 ...... عدالتي ظلمك .. وظلمي منتهى عدالتك
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يا بدري الطلــّــة ويا طلــّــتك يا البدر المنير  
 ......... ترى خسوف القمر .. بشارة وصول إطلالتك

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وإطلالتك عندي أنا .. تعني لي الشي الكثير  
 ..... لا صارت .. عيوني على خــدّك سحآآآآب .. وسالتك 
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أوقف .. وأسميــك الملك .. وشوي أسمــّيك .. الأمير  
 ...... أخاف من سطوة سمــوّك ... وأحترم جلالتك

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حبــك كبير ... وبالمقابل .. قدرك بقلبي كبير  
 .... إحساسي بــ محبتك ... وإحساسي .. بــ زمالتك
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لا يضيق لك خاطر .. فديتك .. لو يصير اللي يصير  
 .... إن كان ما شالتك الأرض .. رموش عيني شالتك

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يا أترف مشاعر بالبشر ... يا أرق من لمس الحرير  
 ..... ساعة زمن ... ممشاك من غرفتك .. حتي صالتك 
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دلعك يثقل خطوتك .. وأحيان .. يمنعك المسير  
 ..... وأحيان أشك إن الدلــع ... سلالته .. سلالتك

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لازم عليك آغير من نفسك .. وحتي منك آغير  
 ....... عشان لو تطاولك كل البشر ... ما طالتك 
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ما طالتك .. يالأسمر الجذآآآآب .. الملح المثير  
 ........ ياللي سمـــارك .. جامعِِ .. سكر وملح أصالتك
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ماعاد لي .. سلطة على حالي .. وأنا بــيديك أسير  
 ....... ولا عاد لي حيــلِِ يساعدني .. على حيالتك
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يا أصدق غلا .. وأعذب غلا .. بالوقت الأول .. والاخير  
 .... هذي خلاصة حالتي .. عطني خلاصة حالتك
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